Planctus

Death and apocalypse in Middle Ages. In the Middle Ages it retains a large number of compositions of eschatological theme. There were also in the Middle Ages compositions relating to the funeral ritual. It is significant that most of the few musical pieces recoverable of ancient Hispanic liturgy are belonging to the Officium Defunctorum. A varied repertoire of macabre thematic consists of laments, dances of death, responsories and other forms of poetic- musical expressions as antiphons and tropes, are the reflection of the questions that humans have ever made about the afterlife, about the meaning of life and death, and behind of them is opened a gap of fear or hope.

15,90  IVA incl.

84 in stock

Description

CDM 1536

Texts:
Maricarmen Gómez

Languages: Spanish, Valencian and english

Sound engeneering, mixing and edition: Jorge García Bastidas (dbc estudios)

Cover: The Descent from the Cross. Roger van der Weyden

Graphic design: Annabel Calatayud

DDD: 73’22” Legal diposit: V-149-2015

Download ODF Datsheet

Elisa Franzetti, soprano
Gabriel Díaz, contratenor
Miguel Bernal, tenor
Tomás Maxé, bajo
Carles Magraner, violas y dirección
David Antich, flautas
Manuel Vilas, arpa
Ignasi Jordá, exaquier y organetto
L’ Almodí Cor de Cambra

Requiem æternam (GT 669)
Ples de tristor. Planh que fe Guiraut Riquier del sehnor de Narbona
Misa de Barcelona. Kyrie
Audi pontus, audi tellus (Códice de Las Huelgas)
De profundis (GT 673)
Sol eclypsim patitur. Planctus por el óbito de Fernando III el Santo
Dies irae (LU 1810)
Clangam, filii (Sequentia planctus cigni)
Domine Iesu Christe (GT 674)
Mentem meam ledit dolor. Planctus por el óbito de Ramón Berenguer IV
Misa de Notre-Dame de Kernascléden. Sanctus
Media vita in morte sumus (Defunctorum prosa)
Agnus Dei (LU 1815)
Ir tanczer und spranczer (Danza de la muerte)
Lux æterna (LU 1815)
In paradisum (LU 1768)

Additional information

Weight 100 g